So it still needed words and word of mouth to help convey its message of self-empowerment: that the poetic meaning of its interacting notes and beats was infinite and democratic. Techno was predominately instrumental music. ![]() (They were members of Greenpeace and in 1996 recorded ‘The Girl with the Sun in Her Head’ using a solar generator.) Both were concerned about social inequality, the planet, and the dangers of technology. They had grown up steeped in punk, hip hop and working class values. ![]() ![]() Phil and Paul Hartnoll were the antithesis of that stereotype. Their first two hits, ‘Chime’ and ‘Belfast,’ were wordless wonders, perfectly capturing the communal energy of dance parties across Europe.īut rock fans and critics were still scratching their heads with this new sound: the common deceit was that techno had no message and no soul. ![]() They called themselves Orbital, a name inspired by the M25 ‘orbital’ motorway that fed Greater London’s outdoor rave scene. At the head of that charge were two brothers who had a gift for marrying incendiary rhythms to euphoric melodies. “Even a stopped clock gives the right time twice a day… Even a stopped clock gives the right time twice a day…”īy 1993, ‘acid house’ was taking the world by storm.
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